Guitar inspirations number one : Paul Kossoff

The other evening, I got to thinking, really thinking, about the players who had inspired me on this journey of guitar playing. So I thought I’d share them with you. I’m probably going to do this in chronological order, as I discovered them, but I might jump about a bit here and there!

So, number one, the first player to really get me thinking about the guitar? Hang on a minute, that would probably be my Dad!! It was my Dad I really heard play first, usually at bed time in an effort to get me to sleep. Then I started bashing away on his acoustic guitar. It was strung with what felt like cheese wire and lets just say, it had a “mans” set up. Guitar players will know what I mean 😉 But when I got my first guitar, my Dad taught me a few chords and I did the rest.

Anyway, I digress….

No, sorry Dad, but my first real insight into the sort of playing I wanted to do, came when I discovered a certain record in your collection.

Picture the scene: me, aged about 10, laying on the lounge floor, listening to my Dad’s vinyl through his 70’s black and white headphones. I thought those headphones were so cool, with the black coily cable and the individual volume controls on each ear cup. And what was I listening to? Cliff Richard (Wired for Sound era!) Dr Hook, Smokey, Elkie Brooks. When I look back now, I ask myself why wasn’t I listening to my Dad’s blues records? Big Bill Broonzy, Sonny Terry, Blind Blake!? Anyway, the epiphany came when I finally discovered some 70’s rock, in the shape of The Free Story.

Yes, Free. Alright Now. But there is so much more to them than just that one mega song. Mr Big, Fire and Water, The Stealer, Be my Friend, Heavy Load, the list goes on and on. At the time, I was too young to know what a big deal they had been, but all I could hear was the incredible playing by Mr Paul Kossoff.

Years later, I realised where my fascination with the Gibson Les Paul had come from but, most importantly, how his amazing vibrato technique had influenced the way I developed my own vibrato. Now I’m not for one minute comparing myself to Kossoff or his incredible skill, but I clearly soaked something up from him, from the way he used to shake those notes and get incredible sustain.

Like many genius artists, Kossoff had his demons and his death at 25 years old, was obviously a massive tragedy. I realised years later, that he died in 1976. I wasn’t even 2 then. So by the time I discovered his playing, he had been dead for not far off a decade. Just imagine what he could have achieved if he had not succumbed to addiction. Whist he is revered amongst many in the guitar playing community, if he had managed to overcome his difficulties, he would be a household name like Clapton.

It wasn’t just the vibrato that got me, it was the blues influence in the song writing and the rawness of the sound that captivated me. The tone he had was something to behold and was something I wasn’t hearing on Cliff Richard albums!!

I listened to The Free Story in the car the other night, on the way to rehearsal with The Nightwires. I felt quite emotional at times whilst I was driving, for lots of reasons really. But the songs stirred something in me and at rehearsal, I played the best I have played for quite some time. I tried solo things that all came off for once and I really tried to concentrate on my vibrato. I loved it.

So, there we have the first of my guitars heroes. Without hearing Paul Kossoff play, I would still have continued playing myself, but my style would now be very different. As I’ll talk about at some point, other players may have influenced me massively in later years, but I owe a lot to Paul Kossoff….

Paul-Kossoff-1959-Les-Paul-Standard

 

Listen to all of The Nightwires new album…

As you may be aware, my band The Nightwires, released a new album a couple of months ago. “Life of Sound” has been going down well with those who have heard the songs and purchased the CD.

However, in this digital age, you need to have your music available on the web (mores the pity in some ways) so to that end, you can now listen to all of the album on our Soundcloud page. If you like what you hear, you can follow the “buy” link to purchase a physical copy.

The big setup!

Here is my set up from last nights rehearsal, for The Nightwires upcoming show in Cromford:

  • PRS DGT Gold Top
  • PRS RH2010
  • Gibson J45 Standard
  • Laka Electro Ukulele
  • Pedalboard for electric guitars
  • Boss TU2 into Orchid Electronics DI box for Acoustic/Uke
  • Morgan AC20 Deluxe Head into Zilla 1×12 cabinet

PHEW!!

This is the “big” setup for when we do longer sets. Our next gig is 2 x 45 minute sets, so I have to play electric, acoustic and ukulele. Its a lot to transport about but needs must.

Its a setup I really enjoy playing through and I can get some great sounds.

IMG_1001

Latest pedalboard build…

Here we go, the July 2015 pedalboard build.

The Greer Amps Southland Overdrive has been added and the Keeley Aurora Reverb has been taken off. There is nothing wrong with the Keeley Reverb, but I just wasn’t going to use it, as my Strymon El Capistan Tape Echo does all the spacey effects I need! The Aurora was a bit of an impulse purchase really, so it will be moved on soon.

I’ve rewired the whole thing using an Evidence Audio Monorail patch cable kit, which I purchased from thegigrig. They do patch cable kits specifically for each of their Quartermaster switching strips, with the correct number of jacks and length of cable, depending on which Quartermaster you have.

I have been using George L’s patch cables for years but I kept reading how much better the Evidence Cables sound, so I thought I’d give them a go. The USP is that once you have stripped the end of the cable, the solid inner wire screws into the jack socket, making the connection much stronger and firmer than other solder-less systems. The hard part is that, to fasten the end cap on properly, you need fingers of steel! My index fingers and thumbs are still sore two days later. However, Evidence got in touch to say that they will stay in place, so fingers crossed (or not in my case!!)

The Southland will provide my main overdrive sound with the EP Booster and Wampler Euphoria providing differing levels of boost. I’m not sure which pedal will stack better into the Southland, out of the Euphoria or my Wampler Clarksdale. As the Clarksdale is a TS type pedal, that might be better at boosting for solos, as it has more mid range. However, the Euphoria is so good, I’ve decided to try that first.

The black footswitch at the top, is for My Victory V50 head, but when I’m using that head, I still generally use it with a slightly over driven clean channel and then use the drive pedals.

I’ve resisted re-instating my phase 90 in favour of retaining the TC Electronic Shaker. That pedal does such a great Leslie type sound, I can’t take it off.

I’m looking forward to rehearsing with The Nightwires this weekend, so I can try the board out and then gig it in Belper on July 12th….

July 2015 pedalboard